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Brejc Arne (ur.). Back to Black - exhibition catalogue Equrna Gallery, Ljubljana, Slovenia (2014).

Grafenauer, Petja. Vanitas Equrna Gallery, Ljubljana, Slovenia (http://www.ursulaberlot.com/wp-content/uploads/2019/12/Grafenauer-Petja.-2012.pdf 2012).

.. Camera Lucida, exhibition at Gallery Škuc, SCCA, Center for Contemporary Arts – World of Art 2002 . (2002).

.. Camera Lucida, exhibition at Gallery Škuc, SCCA, Center for Contemporary Arts – World of Art 2002 . (2002).

Petrešin, Nataša. Uršula Berlot: Reflection, Museum of Modern Art, Small Gallery, 28. 6. – 25. 8. 2002 Ljubljana: Museum of Modern Art (2002).

VICE. https://www.vice.com/en_us/article/xy4da7/skin-transforms-your-emotions-into-sound-a-color-through-sweat-data 05.06.2014.

Robles-Angel, Claudia. The Human Body as an Audiovisual Instrument. Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge. ISBN 9780367271466. 1st (2020): chapter 21.

Robles, Claudia. Biofeedback and Choreography Performative Science and Beyond, Involving the Process in Research, Hans. H. Diebner editor, Springer Verlag. ISBN 978- 3- 211-33357-0 (2006): 146 – 147.

Gernemann-Paulsen, A. and C. Robles Angel and U. Seifert and L. Schmidt. Physical Computing and New Media Art – new challenges events. 27. Tonmeistertagung (2012).

Robles-Angel, Claudia and J. Birringer and U. Seifert and L. Scherffig. Bio-medical Signals in Media Art. ISEA 2017 Proceeding ISBN 978-958-759-161-3. (2017): 720-29.