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Dave, Everitt and Fania Raczinski. Personal Space code::art::0 (January 2019).

Everitt, Dave. Art as Digital Exploration. Series on Cultural Computing, https://doi.org/10.1007/978-1-4471-7367-0_17 th ed.https://link.springer.com/chapter/10.1007%2F978-1-4471-7367-0_17: Springer, 2018.

Everitt, Dave and Fania Raczinski. Creative Zombie Apocalypse: A Critique of Computer Creativity Evaluation 2016 IEEE Symposium on Service-Oriented System Engineering (SOSE) , no. https://doi.org/10.1109/sose.2016.30 (March 2016).

Everitt, Dave. Between the crystalline and the chaotic Digital Creativity , no. https://doi.org/10.1080/14626268.2013.813379 (September 2013).

Everitt, Dave and Simon Mills. Cultural anxiety 2.0 Media, Culture & Society , no. https://doi.org/10.1177/0163443709339463 (September 2009).

Everitt, Dave and Nick Higgett and Emily Baines and Gerardo Saucedo and Eric Tatham. Virtual Romans: Virtual Reconstruction of Roman Leicester (Ratae Corieltauvorum) 210 AD VAST: International Symposium on Virtual Reality , no.

org. Itaulab. Emoção Art.Ficial 3: interface cibernética Encarte: documentário em DVD.

org. Itaulab. Emoção Art.Ficial 3: interface cibernética Encarte: documentário em DVD.

Machado. Arlindo; Prado, Gilbertto., ed. EMOÇÃO ART.FICIAL, 2.0: divergências tecnológicas. Vol.n/a. catalog, n/a th ed.São Paulo: Itaú Cultural, 2004.

Michelin, Simone. Portfólio, DesConcerto. ECO-Pós “Televisão, produção, programação, recepção” v.7, no. n.1 (Jan-July 2004): 127- 133.