Search

Search words under length of 4 characters are not processed. Use single quotes ' for phrases with spaces.

Digital Art / Public Art: Governance and Agency in the Networked Commons 2008

Christiane Paul. Digital Art / Public Art: Governance and Agency in the Networked Commons In Interface Cultures - Artistic Aspects of Interaction, edited by Christa Sommerer and Laurent Mignoneau and Dorothee KingVienna/London: Springer Verlag, ...
Context Providers. Conditions of Meaning in Media Arts 2011

Christiane Paul and Margot Lovejoy and Victoria Vesna. Context Providers. Conditions of Meaning in Media Arts. Bristol: Intellect Ltd., 2011.
Remediating the Infected Body: Writing the Viral Self in Melinda Rackham's carrier. 2012

Barnett, Tully. Remediating the Infected Body: Writing the Viral Self in Melinda Rackham's carrier. Biography 1, no. 35 (2012): 45-64.
Monstrous Agents: Cyberfeminist Media and Activism 2014

Barnett, Tully. Monstrous Agents: Cyberfeminist Media and Activism Ada: A Journal of Gender, New Media and Technology , no. 5 (July 2014).
Networking. The Net as Artwork 2008

Bazzichelli, Tatiana. Networking. The Net as Artwork. Aarhus: Digital Aesthetics Research Center, 2008.
Wahrgenommene Aktion 2004

Schmitt, Antoine. Wahrgenommene Aktion Neue Zeitschrift für Musik , no. 5 (September/Oktober 2004): 31.
Pedigree 2003

Feuerstein, Thomas. Pedigree http://www.annjakrautgasser.net/home.php?il=83&l=en [21.10.2014].
Banquete. Nodes and Networks 2009

López Díez, María, ed. Banquete. Nodes and Networks. Madrid: SEACEX, 2009.
What you see is what you get? 2010

Galloway, Alexander. What you see is what you get? In The archive in motion: new conceptions of the archive in contemporary thought and new media practices, edited by Eivind Røssaak, 155-182. Oslo: Novus Press, 2010.
Dein Code ist so verdammt elegant 2002

Baumgärtel, Tilman. Dein Code ist so verdammt elegant http://www.taz.de/1/archiv/?dig=2002/11/02/a0229 [21.10.2014].

Search results 2331 until 2340 of 4499

Archive Search