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Ray, Tom and Georg Gilder and Ray Kurzweil and Michael et. al. Denton. Kurzweil´s Turing Fallacy In Are We Spiritual Machines. Ray Kurzweil vs. the Critics of Strong AI, edited by Jay RichardsSeattle, WA: Discovery Inst, 2002.

Vesna, Victoria. Towards a Third Culture: Being In Between Leornardo On-line 34, no. 2 (2001): 121.

Kohso, Sabu. Parables on the Morphogenic Substance In Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music), edited by Seiko Mikami and Oscar Abril AscasoMalaga, Spain: Centro de Ediciones de la Diputación de Malaga,

Fleischmann, Monika and Wolfgang Strauss and Jasminko Novak. CAT - Communication, Art and Technology In Global@home - Jahrbuch Telekommunikation und Gesellschaft, edited by Herbert KubicekHeidelberg: Hüthig Verlag, 2000.

McCleave, Leslie. Film Medium: Zoe Beloff´s Uncanny Resurrections Res Magazine 5, no. 3 (2002).

Beiguelman, Giselle. O Livro depois do Livro. Sao Paulo: Editora Peiropolis, 2003.

Beiguelman, Giselle. Bricks/Bits.html: Intervenções urbanas 1.0 In Intervenções urbanas. Arte/Cidade, edited by Nelson Brissac PeixotoSão Paulo, Brazil: Senac, 2002.

Beiguelman, Giselle. Liquid Texts Leonardo Electronic Almanac 10, no. 08 (2002).

Fleischmann, Monika and Wolfgang Strauss. Murmuring Fields oder ein Raum möbliert mit Daten In Medienökologie zwischen Sinnenreich und Cyberspace, edited by Wolfgang ZachariasMünchen: 2000.

Beiguelman, Giselle. WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see? In pOes1s. Ästhetik digitaler Poesie, edited by Friedrich W. Block and Christiane Heibach and Karin WenzOstfildern-Ruit: Hatje Cantz, 2004.