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  • Philosophical Content and Method of Artificial Life
    ...Bedau, Mark A.. Philosophical Content and Method of Artificial Life In The Digital Phoenix: How Computers are Changing Philosophy, edited by Terrell Ward Bynam and James H. Moor, 135-152. Oxford: Basil Blackwell, 1998.
  • Netlife - Creating a Jungle on the Internet
    ...Ray, Tom. Netlife - Creating a Jungle on the Internet In Nonlocated online: digital territories, incorporations and the matrix - Medien Kunst Passagen 3/94, edited by Knowbotic ResearchVol.3. Medien Kunst Passagen, Köln, Wien: Passagen Verlag, 1994.
  • Osmose: Notes on Being in Immersive Virtual Space
    ...Davies, Char. Osmose: Notes on Being in Immersive Virtual Space In Digital Creativity: A Reader, edited by Colin Beardon and Lone Malmborg, 101-110. Lisse: Swets and Zeitlinger Publishers, 2002.
  • Osmose: Notes on Being in Immersive Virtual Space
    ...Davies, Char. Osmose: Notes on Being in Immersive Virtual Space In Digital Creativity, edited by Colin Beardon and Lone et. al. MalmborgVol.9. Lisse: Swets and Zeitlinger Publishers, 1998.
  • The Similar Eye: Proxy Life and Public Space
    ...Oliver, Julian. The Similar Eye: Proxy Life and Public Space In Computer Gambes and Digital Cultures Conference Proceedings, : Tampere University Press, 2002.
  • From Cybernation to Interaction: A Contribution to an Archaeology of Interactivity
    ...Huhtamo, Erkki. From Cybernation to Interaction: A Contribution to an Archaeology of Interactivity In The Digital Dialectic: New Essays on New Media, edited by Peter Lunenfeld, 96-110. Cambridge, MA: MIT Press, 1999.
  • Computers Who Dance
    ...Allen, Rebecca and Jane Nisselson. Computers Who Dance Digital Deli (1984).
  • BIOTEKNICA: Organic Tissue Prototypes
    ...Willet, Jennifer and Shawn Bailey. BIOTEKNICA: Organic Tissue Prototypes The State of the Real: Aesthetics in the Digital Age, Damian Sutton, Susan Brind and Ray McKenzie, Edts. (2006): 125-134.
  • Data Science and Computational Art History
    ...Manovich, Lev. Data Science and Computational Art History International Journal for Digital Art History (JUNE 2015).
  • Peristrephic Pleasures, or the Origins of the Moving Panorama
    ... Pleasures, or the Origins of the Moving Panorama In Allegories of Communication: Intermedial Concerns from Cinema to the Digital, edited by Jan Olsson and John Fullerton, 215-248. Rome: John Libbey, 2004.
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