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Royce, Aaron. Halycon Arts Lab brings Future to the Present Washington Life Magazine (October 2018).

Seaman, Bill. A multi-perspective approach to knowledge production Kybernetes 43 (October 2014): 1412 - 1424.

Lavoslava Benčić. Grafični zvok - sinteza zvoka s svetlobo. Medijska vzgoja in produkcija. [Spletna izd.] , no. 1 (jan./dec 2015): 6.

Anker, Suzanne. Three Questions: A Holy Trinity or Three Blind Mice Institutional Critique to Hospitality: Bio Art Practice Now (May 2017): 37-50.

Robles, Claudia. The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples. http://people.brunel.ac.uk/bst/vol1001/claudiarobles/.

Kamper, Dietmar. Das Nadelöhr. Ein weiterer Versuch, zwischen Mimesis und Simulation zu unterscheiden In Strategien des Scheins: Kunst - Computer - Medien, edited by Florian Rötzer and Peter Weibel, 16-22. München: Boer Verlag, 1991.

Simó, Águeda. El Universo Cognitivo del Yo y sus Posibles Interpretaciones, la Narrativa de la Mente y sus Interfaces In La Imagen Pensativa, vídeo-ensayo y Práctica Artística en el Estado Español, edited by Pedro Ortuño, 277-304. Spain:

Strauss, Wolfgang and Fleischmann,Monika. DeineStory.de [].

Cramer, Florian and Ulrike Gabriel. Software Art .

Klotz, Heinrich and ZKM Karlsruhe, ed. MultiMediale 3. Karlsruhe, DE: ZKM Karlsruhe, 1993.