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Ishii, Hiroshi and Angela Chang and Ben Resner and Brad Koerner and XingChen Wang. LumiTouch: An emotional communication device CHI ’01 Extended Abstracts on Human Factors in Computing Systems (CHI EA ’01). Association for Computing Machinery

The Council for the International Biennale in Nagoya. ARTEC '89: the possibility for art and technology. Nagoya: The Chunichi Shimbun, 1989.

Coupe, James. Art, Surveillance and Metadata In Worldmaking as Techné: Exploring Worlds of Participatory Art, Architecture, and Music, edited by M-D. HosaleRolling Meadows: 2016.

Waelder, Pau. Selling and collecting art in the network society. Interactions among contemporary art new media and the art market. Phd Thesis, Universitat Oberta de Catalunya, Barcelona, February 2016.

Sito, Tom. Moving Innovation: A History of Computer Animation. 1st Edition th ed.Cambridge, Mass. USA: MIT Press, 2013.

Moore, Lila. The Transcendent Double Selfie App Proceedings of Taboo-Transgression-Transcendence in Art and Science Conference, Ionian University, Department of Audio & Visual Arts: Corfu, Greece (2017): 229-236.

Simó, Águeda. The Virtual Reality Art Installation Endocytosis: Evolving from a Flat Land into a Three-dimensional World Leonardo 2, no. 51 (2018): 124-127.

Moore, Lila. Fields of Networked Mind: Ritual Consciousness and the Factor of Communitas in Networked Rites of Compassion Technoetic Arts: A Journal of Speculative Research 13, no. 3 (December 2015): 331-339.

Moore, Lila. Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness Technoetic Arts: A Journal of Speculative Research 15, no. 3 (December 2017): 325-339.

Moore, Lila. The Shaman of Cybernetic Futures: Art, Ritual and Transcendence in Fields of the Networked Mind Cybernetics and Human Knowing, A Journal of Second-Order Cybernetics, Autopoiesis and Cybersemiotics 2018, no. 2-3 (2018): 119-141.