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Overscale Art in Public Space: from Play to Dysplay 2016

Benayoun, M.. Overscale Art in Public Space: from Play to Dysplay ISEA2016 (2016).
La 3D dans les systèmes interactifs, habillage ou langage? 1994

Benayoun, M.. La 3D dans les systèmes interactifs, habillage ou langage? www.benayoun.com.
Bis hier und nicht weiter 2018

Schons, Donna. Bis hier und nicht weiter Monopol (February 2018).
“Es ist okay, geflasht zu sein” 2017

Meyer, Anika. “Es ist okay, geflasht zu sein” Monopol - Blog (July 2017).
Bilder in einer Welt ohne Rahmen 2017

Sheer, Ursula. Bilder in einer Welt ohne Rahmen FAZ (February 2017).
Wo realer und virtueller Raum verschmelzen 2016

Schreiber, Susanne. Wo realer und virtueller Raum verschmelzen Handelsblatt (September 2016).
RISING: Young Artists to keep an Eye on! 2011

Müller, Sabine Elsa. RISING: Young Artists to keep an Eye on!. 1 th ed.Cologne: DAAB Media, 2011.
God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series 2010

... or Human Desire: The Irony and Criticism in Lin...
Speaking Subject — Lin Pey- Chwen’s Eve Clone 2014

Fang-Ho, Cheng. Speaking Subject — Lin Pey- Chwen’s Eve Clone Artist Magazine (2014): 404-407.
Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series 2016

... Lin Pey-Chwen and the Eve Clone Series East...

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