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Evelin Stermitz. World of Female Avatars: An Artistic Online Survey on the Female Body in Times of Virtual Reality Leonardo 41, no. 5 (October 2008): 538-539.

Rudolf Frisius and Ludger Brümmer. Audiovisuelle Komposition junger Künstler: Rudolf Frisius und Ludger Brümmer im Gespräch mit Damon Lee, Pei-Zu Shi und Claudia Robles.. Vol.45. Hören und Sehen—Musik audiovisuell, Mainz: Institut für Neue Musik

Roh, Soh Yeung and Namhee Park, ed. ISEA 2019 - Lux Aeterna. Seoul: Art center Nabi, 2019.

Ishii, Hiroshi and Angela Chang and Ben Resner and Brad Koerner and XingChen Wang. LumiTouch: An emotional communication device CHI ’01 Extended Abstracts on Human Factors in Computing Systems (CHI EA ’01). Association for Computing Machinery

The Council for the International Biennale in Nagoya. ARTEC '89: the possibility for art and technology. Nagoya: The Chunichi Shimbun, 1989.

Coupe, James. Art, Surveillance and Metadata In Worldmaking as Techné: Exploring Worlds of Participatory Art, Architecture, and Music, edited by M-D. HosaleRolling Meadows: 2016.

Waelder, Pau. Selling and collecting art in the network society. Interactions among contemporary art new media and the art market. Phd Thesis, Universitat Oberta de Catalunya, Barcelona, February 2016.

Sito, Tom. Moving Innovation: A History of Computer Animation. 1st Edition th ed.Cambridge, Mass. USA: MIT Press, 2013.

Moore, Lila. The Transcendent Double Selfie App Proceedings of Taboo-Transgression-Transcendence in Art and Science Conference, Ionian University, Department of Audio & Visual Arts: Corfu, Greece (2017): 229-236.

Simó, Águeda. The Virtual Reality Art Installation Endocytosis: Evolving from a Flat Land into a Three-dimensional World Leonardo 2, no. 51 (2018): 124-127.