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The Urban Beautician: a practice of transferring ephemeral interventions in the public space via
media
into a work of art
2017
... interventions in the public space via
media
into a work of art LUMINA , no. 2 (May /...
IMAGES(R)-EVOLUTION
Media
Arts Complex Imagery Challenging Humanitiesand Our Institutions of Cultural Memory
2014
...Grau, Oliver. IMAGES (R)-EVOLUTION
Media
Arts Complex Imagery Challenging Humanities and Our...
Digital Creativity. Techniques for Digital
Media
and the Internet
2002
...s, Bruce. Digital Creativity. Techniques for Digital
Media
and the Internet. New York: John Wiley and...
Urban
Media
Art Paradox: Critical Fusion vs. Urban Cosmetics
2016
...Benayoun, M. and J. Bares. Urban
Media
Art Paradox: Critical Fusion vs. Urban Cosmetics What Urban...
Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in Sound-and-Light
Media
Installations.
2012
... Audiovisual Relations in Sound-and-Light
Media
Installations. In Electroacoustic Music...
Digital Performance: A History of New
Media
in Theatre, Dance, Performance Art and Installation
2007
...Dixon, Steve. Digital Performance: A History of New
Media
in Theatre, Dance, Performance Art and...
Between Benjamin and McLuhan: Vilém Flusser’s
Media
Theory,” New German Critique 110 (Summer 2010): 180-209.
2010
... Benjamin and McLuhan: Vilém Flusser’s
Media
Theory,” New German Critique 110 (Summer 2010):...
Data Drift: Archiving
Media
and Data Art in the 21st Century
2015
... and Raitis Smits. Data Drift: Archiving
Media
and Data Art in the 21st Century. Riga:...
Experience – Memory – Identity:
Media
Experiences as the Foundations of Hybridized Identity
2013
...ski, Ryszard W.. Experience – Memory – Identity:
Media
Experiences as the Foundations of Hybridized...
Environmental
Media
: Accessing Virtual Representations of Real-Time Sensor Data and Site-specific Annotations Embedded in Physical Environments
2001
...Fisher, Scott S.. Environmental
Media
: Accessing Virtual Representations of Real-Time Sensor Data and...
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