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The Soft Machine. Cybernetic fiction
1985
Porush, David. The Soft Machine. Cybernetic fiction. New York: Methuen, 1985.
The Soft Machine. Cybernetic fiction
1985
Porush, David. The Soft Machine. Cybernetic fiction. New York: Methuen, 1985.
Wie man sieht...Kunst mit Fotografie und andere mediale EskapadenDie Kunsthochschule für Medien Köln zu Gast im Museum Ludwig vom 07.07.-19.09.2000
2000
Zielinski, Siegfried and Kerstin Bergmann, ed. Wie man sieht...Kunst mit Fotografie und andere mediale Eskapaden Die Kunsthochschule für Medien Köln zu Gast im Museum Ludwig vom 07.07.-19.09.2000.
Performance and Media: Taxonomies for a changing field
2015
Bay-Cheng, Sarah and Jennifer Parker-Starbuck and David Z. Saltz, ed. Performance and Media: Taxonomies for a changing field. Ann Arbor: University of Michigan Press, 2015.
Film as Submersive Art
1976
Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
Film as Submersive Art
1976
Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
The Approaching Storm
2018
Pearlman, Ellen. The Approaching Storm Open Fields, Virtualities and Realities, Acoustic Space Journal 18 (2018).
"Digital Technologies, Visual Research and the Non-Fiction Image" in Advances in Visual Methodology
2012
Pink, Sarah and Roderick Coover and Pat Badani and Flavia Caviezel and Mark Marino and Nitin Sawhney and William Uricchio, ed. "Digital Technologies, Visual Research and the Non-Fiction Image" in Advances in Visual Methodology. Vol.Advances in
Far Field: Digital Culture, Climate Change, and the Poles
2011
Polli, Andrea and Jane Marsching. Far Field: Digital Culture, Climate Change, and the Poles. Bristol: Intellect Ltd., 2011.
Friedrich Kittler: No hay Software y otros ensayos sobre filosofía de la tecnología
2017
Andres Burbano and Alejandro Duque. Friedrich Kittler: No hay Software y otros ensayos sobre filosofía de la tecnología. Caldas, Colombia: Universidad de Caldas, 2017.
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