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DOMINGUES, DIANA MARIA G. Mashup art e crawler art: o sublime tecnológico do lixo remixado In Digital Trash: Linguagens, Comportamentos, Entretenimento e Consumo, edited by Vinicius Andrade PereiraVol.1. , 152-169. Rio de Janeiro: E- Papers, 2009.

Lane, Allan, ed. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of this Century. London: Penguin Press, 1968.

RADIANCE. The International Research Platform For Virtual Reality Experiences in Art https://www.radiancevr.co/artists/brenda-laurel-and-rachel-strickland/.

Kluszczyński, Ryszard W.. Nomadic Images: Transmediality and Hybridity in Contemporary Media Art In The Homelessness of Art, edited by Grzegorz Sztabiński, 119-134. Łódź: Łódzkie Towarzystwo Naukowe, 2011.

Pearlman, Ellen. The Brain As Site Specific Surveillant Performative Space International Journal of Performance Arts and Digitial Media 11,Issue 2 (November 2015).

Laurence, Robin. Photos, Film Capture Surrey's Non-Identity Georgia Straight paper (British Columbia, Canada) (September 2, 2004 2004).

Professor Sean Clark. Revisiting and Re-presenting 1980s Micro Computer Art https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2021.52.

DOMINGUES, DIANA MARIA G. The interfaced subject immersed in virtual spaces . Körper Verkörperung Entkörpeung Body Embodiment Desimbodiment (2004): 19-21.

Parkhomenko Daria and Pelijhan Marko and Tshkov Leonid and Ponomarev Alexander and Kisseleva Olga. Ice Laboratory. Moscow, Russia: Laboratoria ART&SCIENCE space, 2014.

Meyers, Stephan and Ellen Sandor and Janine Fron. PHSColograms and Rotated PHSColograms Computers & Graphics 19, no. 4 (July/August 1995): 513-522.