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Moore, Lila. Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists Master Thesis, Central Saint Martins College of Art and Design, London, 1989.

Susana Pérez Tort. Susana Pérez Tort, “Multimedia Semiotics of two works of art” “Multimedia Semiotics of two works of art” (2010).

Susana Pérez Tort. Susana Pérez Tort, “Semiótica de dos obras Multimediales” “Semiótica de dos obras Multimediales” (2010).

Pierre Martin. Pierre Martin, “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing” “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing” (2011).

Luchia Meihua Lee and Ken Howell. Luchia Meihua Lee and Ken Howell, “A Clarifying Aspect of the Recreation of Nature: Sence of Peychwen’s Artificial Nature” “A Clarifying Aspect of the Recreation of Nature: Sence of Peychwen’s Artificial Nature”

Pey-Chwen Lin. Post-human Body and Cybersexuality: Pey-Chwen Lin and the Eve Clone series Post-human Body and Cybersexuality: Pey-Chwen Lin and the Eve Clone series (2019).

Paul, Christiane and Sherry Turkle and et al.. Public Voices on Energie Passagen / Energy Passages [].

Fleischmann, Monika and Wolfgang Strauss. The Virtual Balance: An Input Device for VR Environments Proc of 6th Interfaces, Man-machine interaction, Montpellier La Lettre de I’IA, no. Nr. 123) (June 1997): 20-23.

Novak, Jasminko et al. Knowledge through Personalized Learning Knowledge Maps. In Agent-Mediated Knowledge Management., edited by Ludger Van Elst, 231 - 228.. Berlin: Springer Verlag, 2003.

Pey-Chwen Lin. Confronting the corrupted powers aiming to destroy the Holy Mountain and City, Pey-Chwen Lin,Reading the 2020 “Eve Clone Revelation- Pey-Chwen Lin + Digital Art Lab Exhibition”, Tainan Art Museum Reading the 2020 “Eve Clone