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Kluszczyński, Ryszard W.. (Audio)Visual Labyrinths: Non-Linear Discourses in Linear Media In Catalogue of the 43rd International Short Film Festival, edited by Birgit Konopatzki and Ilona Traub and Andreas Krönung, 138-144. Oberhausen: 1997.

Strauss, Wolfgang and Monika Fleischmann. Kunst an der Schnittstelle von Technik, Forschung und Gesellschaft In Digitale Transformationen, edited by Ulrike REINHARD, 138-146. : whois verlags- und vertriebsgesellschaft heidelberg, 2004.

Kusch, Martin. Virtual together- The fulldome medium as an artistic research field In 2 - Art Research Envelope, edited by Alexander Damianisch and Margarete JahrmannVienna: Universität für angewandte Kunst Wien, 2019.

Gates-Stuart E; Lovell D; L. Nyugen C; Adcock M; Bradley J; Morell M;. Art and Science as Creative Catalysts (Special Section of Leonardo Transactions “Highlights from the IEEE VIS 2013 Arts Program (VISAP’13), edited by Angus Forbes.”.

Fleischmann, Monika and Shaw Jeffrey. Digitale Muse Internet? / Digital Muse Internet? In Perspektiven der Medienkunst/ Perspectives of Media Art, edited by Hans Peter SchwarzOstfildern-Ruit: Edition ZKM and Cantz Verlag, 1996.

Ives, R.. Computer-Aided Sculpture Computer and Automation 18 (1969).

Badani, Pat and SACHIKO HAYASHI. "Where are you from?": The Networked Sphere [01-01-2006].

Brouwer, Joke and Arjen Mulder and Scott et. al. Lash. Making Art of Databases. Rotterdam, NL: NAi Publishers, 2003.

Chatzichristodoulou, Maria and Janis Jefferies and Rachel Zerihan, ed. Interfaces of Performance. London: Routledge, 2016.

Huhtamo, Erkki. Monumental Attractions: An Archaeology of Public Media Interfaces In Interface Criticism: Aesthetics Beyond Buttons, edited by Christian Ulrik Andersen and Soeren Bro Pold, 21-42. Aarhus: Aarhus University Press, 2011.