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Sheer, Ursula. Bilder in einer Welt ohne Rahmen FAZ (February 2017).

Schreiber, Susanne. Wo realer und virtueller Raum verschmelzen Handelsblatt (September 2016).

Benayoun, M.. L'éthique otaku : Tous seuls ensemble (la crise de contact et autres troubles des sens) http://www.academia.edu/35783297/L%C3%A9thique_otaku_Tous_seuls_ensemble_la_crise_de_contact_et_autres_troubles_des_sens_1999.

Müller, Sabine Elsa. RISING: Young Artists to keep an Eye on!. 1 th ed.Cologne: DAAB Media, 2011.

Chih-Yung, Chiu. God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.

Fang-Ho, Cheng. Speaking Subject — Lin Pey- Chwen’s Eve Clone Artist Magazine (2014): 404-407.

Dr. Turner, Ming. Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.

Hsiao-chiu, Lai. Revelation -Notification: Research Solo Exhibitionby Lin Pey-Chwen http://www.linpeychwen.org/wp-content/uploads/2013/09/Revelation-Notification.pdf.

Dr. Turner, Ming. Quasi-skin and post-human: Lin Pey-Chwen´s Eve Clones (2010-2011) n.paradoxa international feminist art journal 30 (2012): 33-39.

Hongjohn, Lin. Interpassivity within a Clone Artist Magazine (September 2011): 410-411.