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Strauss, Wolfgang and Monika Fleischmann. Behaglichkeitsfaktoren im Raum: II. Akkustik im Computer. Berlin: Berliner Senat für Wissenschaft und Forschung, 1991.

Spitz, Rejane. Qualitative, Dialectical and Experiential Domains of Electronic Art In Fourth International Symposium on Electronic Art (FISEA 93), Minneapolis, Minnesota: 1993.

Neidich, Warren and Norman Bryson. Blow-Up: Photography, Cinema and the Brain. Riverside, CA: Distributed Art Publishing/ University of California, 2003.

Cubitt, Sean. Toxic Media: On the Ecological Impact of Cinema In Eco-Trauma Cinema, edited by Anil Narine, 231-48. New York: Routledge, 2014.

Kasprzak, Michelle. Dubious Views online exhibition Spacing Toronto: Understanding the Urban Landscape Magazine June 8, 2007 (June 2007).

Petrešin, Nataša and Barbara Rupel. Uršula Berlot: Prehodnost/Transitoriness Kostanjevica na Krki: Gallery Božidar Jakac (2006).

Fleischmann, Monika and Laurent Mignonneau. mages of the Body in the House of Illusion In Art and Science., edited by Christa SommererVienna: Springer, 1998.

Christiane Heibach and Karin Wenz, ed. p0es1s: The Aesthetics of Digital Poetry. Ostfildern-Ruit: Hatje Cantz Publishers, 2004.

Grau Oliver. Media Art needs Histories and Archives. New Perspectives for the Digital Humanities. In Arte e Technologia // Modus Operandi, edited by Maria Beatriz de Medeiros and Suzete Venturelli and Cleomar Rocha, 152-173. : lnstituto de Arte

Kac, Eduardo. Holopoetry, Hypertext, Hyperpoetry In Proceedings of the Holographic Imaging Conference, SPIE 2043, Bellingham, WA: Holographic Imaging and Materials (Proc. SPIE 2043), Tung H. Jeong, Editor (Bellingham, WA: SPIE,, 1993.