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“Es ist okay, geflasht zu sein”
2017
Meyer, Anika. “Es ist okay, geflasht zu sein” Monopol - Blog (July 2017).
Bilder in einer Welt ohne Rahmen
2017
Sheer, Ursula. Bilder in einer Welt ohne Rahmen FAZ (February 2017).
Wo realer und virtueller Raum verschmelzen
2016
Schreiber, Susanne. Wo realer und virtueller Raum verschmelzen Handelsblatt (September 2016).
RISING: Young Artists to keep an Eye on!
2011
Müller, Sabine Elsa. RISING: Young Artists to keep an Eye on!. 1 th ed.Cologne: DAAB Media, 2011.
God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series
2010
Chih-Yung, Chiu. God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.
Speaking Subject — Lin Pey- Chwen’s Eve Clone
2014
Fang-Ho, Cheng. Speaking Subject — Lin Pey- Chwen’s Eve Clone Artist Magazine (2014): 404-407.
Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series
2016
Dr. Turner, Ming. Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.
Revelation -Notification: Research Solo Exhibitionby Lin Pey-Chwen
2013
Hsiao-chiu, Lai. Revelation -Notification: Research Solo Exhibitionby Lin Pey-Chwen http://www.linpeychwen.org/wp-content/uploads/2013/09/Revelation-Notification.pdf.
Quasi-skin and post-human: Lin Pey-Chwen´s Eve Clones (2010-2011)
2012
Dr. Turner, Ming. Quasi-skin and post-human: Lin Pey-Chwen´s Eve Clones (2010-2011) n.paradoxa international feminist art journal 30 (2012): 33-39.
Interpassivity within a Clone
2011
Hongjohn, Lin. Interpassivity within a Clone Artist Magazine (September 2011): 410-411.
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