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Shaw, Jeffrey and Peter Weibel, ed. Future Cinema - The Cinematic Imaginary after Film. Cambridge, MASS: The MIT Press, 2003.

Kluszczynski, Ryszard W.. DYNAMIC SPACES OF EXPERIENCE. ON THE ART OF MIROSŁAW ROGALA https://www.academia.edu/4252004/Dynamic_Spaces_of_Experience._On_the_Art_of_Miroslaw_Rogala [28.01.2015].

Arns, Inke. Interaktion, Partizipation, Vernetzung: Kunst und Telekommunikation http://www.medienkunstnetz.de/themen/medienkunst_im_ueberblick/kommunikation/5/ [18.08.2015].

Baigorri, Laura. Vídeo digital de creación. Manual Universitario. Barcelona, Spain: Universidad Oberta de Catalunya UOC, 2004.

Peraica, Ana. Culture of the Selfie: Self-Representation in Contemporary Visual Culture. Theory on Demand, Amsterdam: Institute of Network Cultures, 2017.

Albuquerque, Beatriz. The Role of Videogame Glitch in Adult Learning Phd Thesis, Columbia University, New York, February 2018.

Lavoslava Benčić. The virtual thematic route : from experience to infinity. he international journal of new media, technology and the arts 11 (2016): 1-12.

Grau,Oliver. Media Art needs Histories and Archives. New Perspectives for the Digital Humanities. In Arte e Technologia // Modus Operandi Universal, edited by Maria Beatriz de Medeiros and Suzete Venturelli and Cleomar Rocha, 152-173. :

Fleischmann, Monika and Wolfgang Strauss. Liquid Views - Another Story of Narciss In Proceedings of ISEA ´97, School of Visual Art, Chicago: 1997.

D'Agostino, Peter and David Tafler, ed. Transmission: Toward a Post-Television Culture. Vol.17. Communication and Human Values, : SAGE Publications, 1994.