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CODeDOC II: curator's statement
2003
Paul, Christiane. CODeDOC II: curator's statement http://www.aec.at/CODeDOCII.
" The possibility of communication",in « Communication-identification »
1998
Manovich Lev. " The possibility of communication", in « Communication-identification ». Paris, France: ,, 1998.
Plusvalía y Género Artístico
1996
Casares,Nilo. Plusvalía y Género Artístico Ars Longa , no. 6 (1996): 3.
Threshold Country Media Art
2006
Serexhe, Bernhard.. Threshold Country Media Art catalog n/a, no. n/a (n/a 2006): 32.
Models, Metaphors, and Matter
1996
Anker, Suzanne. Models, Metaphors, and Matter Art Journal 55, no. 1 (1996): 33.
Robots as Art Tools and Creators of Art
2002
PINE, LISA. Robots as Art Tools and Creators of Art EXPLORATORIUM (2002).
Visual Music Masters
2018
Abbado, Adriano. Visual Music Masters. : Skira, 2018.
Visual Music Masters
2018
Abbado, Adriano. Visual Music Masters. : Skira, 2018.
Innocence and Awakening: Cyberdämmerung at the Ashibe Research Laboratory
1995
Stone, Allucquére Rosanne. Innocence and Awakening: Cyberdämmerung at the Ashibe Research Laboratory In Technoscientific Imaginaries: Conversations, Profiles, and Memoirs (Late Editions Cultural Studies for the End of the Century, No. 2), edited by
Wirklichkeitsdiffusion. Wirklichkeitserfahrungen in der Kunst zwischen hyperreal und hypermedial
2000
Weibel, Peter. Wirklichkeitsdiffusion. Wirklichkeitserfahrungen in der Kunst zwischen hyperreal und hypermedial In Hypermental. Wahnhafte Wirklichkeit 1950 - 2000 von Salvador Dali bis Jeff Koons, edited by Bice Curiger and Christoph Heinrich,
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