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Moore, Lila. Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists Master Thesis, Central Saint Martins College of Art and Design, London, 1989.

Chih-Yung Aaron Chiu. Chih-Yung Aaron Chiu, “Eve Clone Series Critiques and Satirizes the Creations of the Technological Age” “Eve Clone Series Critiques and Satirizes the Creations of the Technological Age” (2012).

Jane Tseng. Jane Tseng, “The Birth of Eve Clone – Technological Satire of a Genetic Reproduction Laboratory” “The Birth of Eve Clone – Technological Satire of a Genetic Reproduction Laboratory” (1999).

Fleischmann, Monika and Wolfgang Strauss. Medienkunst als Wissenskunst / Medial Arts as Knowledge Arts. In Wissenkünste! Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge, edited by Sabine Flach and

Kac, Eduardo. Poesia Holográfica: as três dimensões do signo verbal In VII Salão Nacional de Artes Plásticas, edited by Funarte, 43-44. Museu de Arte Moderna do Rio de Janeiro: 1984.

Alberto Saraiva. Poesia Visual. f10 th ed.Rio de Janeiro: Oi Futuro e Editora, 2003.

Kac, Eduardo. The Satellite and the Work of Art in the Telecommunications Age Kac Studio (1986).

Kac, Eduardo. O satélite e a obra de arte na era das telecomunicações Kac Studio (1986).

news, Deseret. ‘All American’ plays with tradition at Salt Lake Art Center Deseret News (July 2009).

Fleischmann, Monika and Wolfgang Strauss. Medienkunst als Wissenskunst / Medial Arts as Knowledge Arts. In Wissenkünste! Das Wissen der Kunst und die Kunst zu wissen / The Knowledge of the Arts and the Art of Knowledge, edited by Sabine Flach and