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Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).

Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).

City of Richmond (BC), Public Art Office. What are you doing, Richmond? https://www.richmond.ca/culture/publicart/collection/PublicArt.aspx?ID=801 https://www.richmond.ca/culture/publicart/collection/PublicArt.aspx?ID=801 [19.02.2021].

City of Richmond (BC), Public Art Office. What are you doing, Richmond? https://www.richmond.ca/culture/publicart/collection/PublicArt.aspx?ID=801 https://www.richmond.ca/culture/publicart/collection/PublicArt.aspx?ID=801 [19.02.2021].

Donald Kuspit and Lourdes Cilleruelo and Félix Duque and William V. Ganis and Van Van Proyen and Peio H. Riaño, ed. ARTE DIGITAL Y VIDEOARTE: TRANSGREDIENDO LOS LÍMITES DE LA REPRESENTACIÓN. Madrid: Circulo de Bellas Artes, 2020.

Nijholt, Anton. Brain Art: Brain-Computer Interfaces for Artistic Expression. Enschede, The Netherlands: Springer Nature, Switzerland, 2019.

Albu, Cristina. Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983) Camera Obscura: Journal of Feminism, Culture and Media Studies; Duke University Press 35, no. 1 (Spring

Sweet, Paula. What Is Between Us: A Visual Survey of Nina Sobell's work 2007- 2019. Vicenza, Italy: Second Guess Press, Amazon, 2020.

Sobell, Nina. UNSEEN: twenty-four-page folio, 24 pages 5.5” x 17”, in a handmade box, David Moscovitch, editor. Vol.1. 6 th ed.New York: Louffa Press, 2020.

Sanchez Cardona, LM. The making of a nomenclature: José Iges on Radiophonic Art In Radio Art and Music. Culture, Aesthetics, Politics, edited by Pim Verhulst and Jarmila MildorfLondon: Lexington Books, 2020.