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Simmulation of Cellular Patterns by Computer Graphics
1969
Puzin, M.. Simmulation of Cellular Patterns by Computer Graphics. Toronto, CAN: University of Toronto, Department of Computer Science, 1969.
An Approach to the Synthesis of Life
1991
Ray, Thomas. An Approach to the Synthesis of Life In Artificial Life II, edited by Christopher Langton and Charles Taylor and Steen et. al. RasmussenVol.XI. , 371 - 408. Redwood City, California: Addison-Wesley, 1991.
Cybernetics, Art and Ideas
1971
Reichardt, Jasia, ed. Cybernetics, Art and Ideas. London: Studio Vista, 1971.
Kunst und Kybernetik. Ein Bericht über drei Kunsterziehertagungen Recklinghausen 1965, 1966 und 1967
1968
Ronge, Hans. Kunst und Kybernetik. Ein Bericht über drei Kunsterziehertagungen
Recklinghausen 1965, 1966 und 1967. Köln: DuMont Schauberg, 1968.
Behaviour, Purpose, and Teleology
1943
Rosenblueth, Arturo and Norbert Wiener and Julian Bigelow. Behaviour, Purpose, and Teleology Philosophy of Science 10, no. 1 (January 1943): 18-24.
Computerkunst - On the Eve of Tomorrow. Katalog zur Ausstellung, Kubus, Hannover
1969
Schröder, Käthe, ed. Computerkunst - On the Eve of Tomorrow. Katalog zur Ausstellung,
Kubus, Hannover. Hannover, DE: Clarissa -Contemporary-Art and G.-W.-Leibniz-Gesellschaft et. al., 1969.
The Mathematical Theory of Communication
1949
Shannon, Claude Elwood and Warren Weaver. The Mathematical Theory of Communication. Champaign, IL: University of Ilinois Press, Urbana III, 1949.
Kunst aus dem Computer
1967
Simmat, William E.. Kunst aus dem Computer Exakte Ästhetik - Methoden und Ergebnisse empirischer und experimenteller Ästhetik 5 (1967).
Aesthetic Paragraphs
1972
Smith, Gary William. Aesthetic Paragraphs PAGE. Bulletin of the Computer Arts Society 27 (1972).
Two Contributions to the Art and Science Muddle; A Report on a Symposium on Art and Science Held at the Massachusetts Institute of Technology, March 20 - 22, 1968
1969
Spruch, Grace Marmor. Two Contributions to the Art and Science Muddle; A Report on a Symposium on Art and Science Held at the Massachusetts Institute of Technology, March 20 - 22, 1968 Artforum VII, no. 5 (January 1969): 28-32.
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