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Salter, Chris. Timbral Architectures, Aurality's Force. Sound and music In William Forsythe and the practice of choreography: It starts from any point, edited by Steven SpierNew York: 2011.

Peraica, Ana. Culture of the Selfie: Self-Representation in Contemporary Visual Culture. Theory on Demand, Amsterdam: Institute of Network Cultures, 2017.

Shin, Ryan, ed. Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement, 2016. University of Arizona: IGI Global, 2016.

Jung, Patricia and Helen Varley Jamieson. “Online performances mit UpStage” – chapter in Video: Wiedergabe, Bearbeitung und Streaming unter Linux, ed. Nils Magnus and Torsten Spindlerr. Germany: Open Source Press, 2005.

Jamieson, Helen Varley. UpStage: a platform for creating and performing online IEEE Multimedia 14, no. 3 (July-September 2007).

Hadley, Bree. Review of the 080808 UpStage Festival Australian Stage Online (2008).

Jamieson, Helen Varley and Vicki Smith. UpStage: An Online Tool for Real-Time Storytelling Creative Technologies Journal , no. 2 (November 2011).

Papagiannouli, Christina. Cyberformance and the Cyberstage International Journal of the Arts in Society 6, no. 4 (2011).

Gomes, Clara. Ciberformance: a performance em ambientes e mundos virtuais (Cyberformance: performance in virtual worlds) Colecção Estudos em Comunicação , no. 1 (2015).

Jamieson, Helen Varley. "Real Time, Virtual Space, Live Theatre" - chapter in The Aotearoa Digital Arts Reader; ISBN: 978-0-9582789-9-7;. New Zealand: Clouds, 2008.