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The Soft Machine. Cybernetic fiction 1985

Porush, David. The Soft Machine. Cybernetic fiction. New York: Methuen, 1985.
The Soft Machine. Cybernetic fiction 1985

Porush, David. The Soft Machine. Cybernetic fiction. New York: Methuen, 1985.
Cosmographical Meditations on the In/Human: Beckett’s The Lost Ones and Lyotard’s ‘Scapeland 2000

Schwab, Gabriel. Cosmographical Meditations on the In/Human: Beckett’s The Lost Ones and Lyotard’s ‘Scapeland Parallax 6, no. 4 (2000): 58-75.
Computer poems. Dall’archeologia al source code poetry 2016

Aprile Francesco. Computer poems. Dall’archeologia al source code poetry. Vol.september 2016. Utsanga.it th ed.Italy: Utsanga.it, 2016.
About Asemic Writing 2015

Aprile Francesco, Caggiula Cristiano. About Asemic Writing. Vol.september 2015. Utsanga.it th ed.Italy: Utsanga.it, 2015.
Evolution haute Couture. Art and Science in the post-biological age 2009

Bulatov, Dmitry, ed. Evolution haute Couture. Art and Science in the post-biological age. Vol.1. Kaliningrad: NCCA, 2009.
Media: Between Magic and Technology [in Russian] 2014

Ksenia Fedorova and Nina Sosna, ed. Media: Between Magic and Technology [in Russian]. Moscow, Ekaterinburg: Armchair Scientist, 2014.
The Archive of Digital Art Features Simon Biggs 2016

Newsletter, ADA. The Archive of Digital Art Features Simon Biggs 21.04.2016.
Digital Synesthesia: A Model for the Aesthetics of Digital Art 2016

Gsöllpointner, Katharina and Ruth Schnell and Romana K. Schuler. Digital Synesthesia: A Model for the Aesthetics of Digital Art. Berlin/Boston: Walter de Gruyter, 2016.
Bodenlos,Vilém Flusser und die Künste 2015

Zielinski, Siegfried and Daniel Irrgang, ed. Bodenlos,Vilém Flusser und die Künste. http://www.adk.de/en/programme/?we_objectID=49564&, Berlin: Akademie der Künste Berlin, 2015.

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