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Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’ 2017

NATASHA KURCHANOVA. Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’
Surveillance Siddhi 2010

Pearlman,Ellen. Surveillance Siddhi In Signal Culture Cookbook: Creative Media Recipes E-book, edited by Tammy McGovern, 101-103. Owego: Signal Culture, 2010.
Review of The Selected Letters of John Cage, Edited by Laura Kuhn, Leonardo On-Line Reviews. 2017

Pearlman,Ellen. Review of The Selected Letters of John Cage, Edited by Laura Kuhn, Leonardo On-Line Reviews. February.
Interface Criticism: Aesthetics Beyond Buttons by Christian Ulrik Andersen & Soren Pold Eds. Leonardo On-Line Reviews 2011

Pearlman,Ellen. Interface Criticism: Aesthetics Beyond Buttons by Christian Ulrik Andersen & Soren Pold Eds. Leonardo On-Line Reviews May.
The Approaching Storm 2018

Pearlman, Ellen. The Approaching Storm Open Fields, Virtualities and Realities, Acoustic Space Journal 18 (2018).
Noor: A Brain Opera 2017

Pearlman,Ellen. Noor: A Brain Opera Worlding the Brain Symposium (November 2017).
Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre 2017

Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).
The Brain As A Hackable Driver 2015

Pearlman,Ellen. The Brain As A Hackable Driver International Society For Electronic Art (ISEA),Vancouver (August 2015).
The Brain As A Reintrpretation Device 2015

Pearlman,Ellen. The Brain As A Reintrpretation Device Sounds, Image, Data-NYU Steinhardt/Goldsmiths/Leonardo (July 2015).
Navin Rawanchaikul, Super China 2009

Pearlman,Ellen. Navin Rawanchaikul, Super China Yishu Journal of Contemporary Chinese Art 8, no. 4 (July/August 2009).

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