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Levin, Golan and Scott Gibbons and Greg Shakar and Sohrawardy, Jasmin. Dialtones: A Telesymphony In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow?/ Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine

Goldberg, Ken and Ruzena Bajcsy. Active Touch and Robot Perception Cognition and Brain Theory 7, no. 2 (Winter 1984): 199-214.

Weibel, Peter. Die postmediale Kondition In Die Medien der Kunst. Die Kunst der Medien, edited by Gerhard Johann Lischka and Peter Weibel, 207-214. Karlsruhe, DE: ZKM Karlsruhe, 2004.

Weibel, Peter and Valie Export. Die Zweiheit der Natur In Ars Electronica 1986, edited by Karl Gerbel and Peter Weibel, 46-48. Linz: 1986.

Legrady, George. Slippery Traces: The Postcard Trail In Artintact 3, edited by Jeffrey Shaw, 101-104. Karlsruhe: ZKM Karlsruhe, 1996.

Browaeys, Dorothée Benoit. L´art biotech ou quand l´art se fait chair L´Observatoire de la génétique 10 (March-April 2003).

Didi-Huberman, Georges. Was wir sehen, blickt uns an: Zur Metapsychologie des Bildes. München: Wilhelm Fink Verlag, 1999.

Beesley, Philip. SKIN DEEP: LIMINAL STATES. Chatham: The Thames Art Gallery, Chatham Cultural Centre, 2002.

Quiroz Luna, Marcela. Orientalism, Occidentalism and Other Myths of Origin Fahrenheit Contemporary Art Magazine , no. 39 (February 2010): 102-104.

Hattinger, Gottfried, ed. Reihe Video Kunst. http://www.hattinger.org/seiten/rvk.html, 2004 th ed.Linz, Austria: Landesgalerie Linz, 2004.