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Film as Submersive Art
1976
Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
Film as Submersive Art
1976
Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’
2017
NATASHA KURCHANOVA. Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’
Sul concetto di "Struction" in scrittura
2018
Aprile, Francesco. Sul concetto di "Struction" in scrittura. 16, June 2018 th ed.Utsanga.it: Utsanga.it, 2018.
The brain as a site specific performative space
2015
Ellen Pearlman. The brain as a site specific performative space https://tandfonline.com/doi/full/10.1080/14794713.2015.1084810.
Tibetan Sacred Dance
2002
Pearlman,Ellen. Tibetan Sacred Dance. Rochester: Inner Traditions, 2002.
Art-A-Hack ™
2018
Pearlman,Ellen and Suzy O'Hara. Art-A-Hack ™ In Art Hack Practice: Sites For Artistic Co-Production, edited by Victoria Bradbury-: Routledge, 2018.
My Lunch With Mihoko
2010
Pearlman,Ellen. My Lunch With Mihoko In American Buddhism As A Way Of Life, edited by Gary Storhoff and John Whalen-Bridge, 57-69. Albany: SUNY Press, 2010.
Surveillance Siddhi
2010
Pearlman,Ellen. Surveillance Siddhi In Signal Culture Cookbook: Creative Media Recipes E-book, edited by Tammy McGovern, 101-103. Owego: Signal Culture, 2010.
Review of The Selected Letters of John Cage, Edited by Laura Kuhn, Leonardo On-Line Reviews.
2017
Pearlman,Ellen. Review of The Selected Letters of John Cage, Edited by Laura Kuhn, Leonardo On-Line Reviews. February.
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