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Tuer, Dot. The Second Nature of Simulation: Mirroring the Organic in the Virtual World of Char Davies's Ephémère In Char Davies: Ephémère, edited by National Gallery of CanadaOttawa, ON, Canada: 1998.

Grau, Oliver. “Vorsicht! Es scheint, daß er direkt auf die Dunkelheit zustürzt, in der Sie sitzen.” Immersions- und Emotionsforschung, Kernelemente der Bildwissenschaft In Wie sich Gefühle Ausdruck verschaffen, edited by Klaus Herding and Antje

Biggs, Simon. Second Life: how may it augment our first (learning) life? A review of the current and potential use of Second Life in creative arts education. (2009).

Biggs, Simon and Mariza Dima and Henrik Ekeus and Sue AND Timmons Hawksley and Mark Wright. The "H" in HCI: Enhancing Perception of Interaction through the Performative In Virtual and Mixed Reality, edited by R. ShumakerVol.LNCS 5622. , 3-12.

Biggs, Simon. Multimedia, Multiculturalism, Language and the Avantgarde http://littlepig.org.uk/texts/epoetry.htm[12.04.2015.

Oliver, Julian. The Similar Eye: Proxy Life and Public Space In Computer Gambes and Digital Cultures Conference Proceedings, : Tampere University Press, 2002.

Maeda, John. The Laws of Simplicity. Cambridge, MA: MIT Press, 2006.

Fuller, Matthew. The Cat Seemed to Think There was Enough of it Now in Sight Online Publication on Artist´s Homepage (2010).

Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.

Ford, John J.. Soviet Cybernetics and International Development In The Social Impact of Cybernetics, edited by Charles DecherNew York: Simon and Schuster, 1966.