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Ascott, R.. Le moment télématique In L'estetica della communicazione, edited by M. Costa, 81-84. : Palladio Editrice, 1987.

Weibel, Peter. Die digitale Bildrevolution In Leuchtspuren. Holographie, Licht und Computer. Kampnagelfabrik, Halle O, Hamburg vom 23.3. bis 5.5.1985, edited by Gabriele Juschka-KaiserHamburg, DE: Rheinland-Verlag, 1985.

Collins, Susan. Inhabited ConTime. Artists pages Millennium Film Journal (Winter 2003).

Benayoun, Maurice. La genèse du réalisme interactif, fausse nouvelle In Conférence du CRI université de Paris 1, Paris: 1995.

Ascott, Roy. Die Ästhetik des Erscheinenden / Apparitional Aesthetics In Prix Ars Electronica 95, Internationales Kompendium der Computerkünste, edited by H. Leopoldseder, 15-22. : Österreichischer Rundfunk and Landesstudio Oberösterreich, 1995.

Weibel, Peter. Der Bruch des Bildes. Vom Tafelbild zum Bildschirm In Computer art faszination, edited by Dotzler Medien Institut, 25-31. Frankfurt/Main: Suhrkamp, 1990.

Ascott, Roy. Is there Love in the Telematic Embrace? Behaviourables and Futuribles In Theories and Documents of Contemporary Art, edited by K. Stiles and P. Selz, 396 and 489-498. Berkeley: University of California Press, 1996.

Ascott, Roy, ed. Consciousness Reframed: Art and Consciousness in the Post-biological era. Newport: University of Wales, 1997.

Ascott, Roy, ed. Reframing Consciousness. Plymbridge: Intellect Books, 1999.

Ascott, Roy. Behaviourist Art and the Cybernetic Vision In Multimedia. From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, 104-120. New York, London: W. W. Norton and Company, 2002.