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Fujihata, Masaki. On Interactivity / Interaktivität In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow?/ Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfVienna, New York: Springer, 2001.

Penny, Simon. Prefiguring Cyberculture, an intellectual history In Traces, edited by Darren Tofts and Annemarie Jonson and Alessio CavallaroCambridge, MA: MIT Press, 2004.

Ray, Tom and Xu Chenmei. Measures of Evolvability in Tierra In Proceedings of the Fifth Int. Symposium on Artificial Life and Robotics (AROB 5th´00), edited by Masanori Sugisaka and Hiroshi TanakaOita, JP: 2000.

Levin, Golan and Scott Gibbons and Greg Shakar and Sohrawardy, Jasmin. Dialtones: A Telesymphony In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow?/ Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine

Bedau, Mark and John McCaskill and Norman Packard and Rasmussen Steen et. al.. Open Problems in Artificial Life Artificial Life 6 (2001): 363-376.

Brown, Richard and Lane Giles, ed. Biotica: Art, Emergence and Artificial Life. London: RCA Computer Related Design Research, 2001.

Huhtamo, Erkki and Perttu Rastas, ed. Outoäly - Alien Intelligence. Helsinki: Kiasma Nykytaiteen museo - Museum of Contemporary Art, 2000.

Benayoun, Maurice. Autres sites, nouveaux paysages Revue d´esthétique 39 (2001).

Grau, Oliver. Virtuelle Kunst in Geschichte und Gegenwart. Berlin: Reimer Verlag, 2001.

Grau, Oliver. Kunst als Inspiration medialer Evolution. Intermediale Etappen des Virtuellen im 20. Jahrhundert Intervalle 5, Schriftenreihe des Wissenschaftlichen Zentrums der Universität Kassel 5 (2002): 57-76.