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The Poetics of Sonic Interaction Design 2013

... of Sonic Interaction Design In Sonic Interaction Design: Process and Products, edited by Karmen Franinovic and Stefania...
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance 2008

... Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.
Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in Sound-and-Light Media Installations. 2012

...Basanta, Adam. Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in Sound-and-Light Media...
Sharing Data in Collective Interactive Performances: The SenseWorldDataNetwork 2009

... Interactive Performances: The SenseWorldDataNetwork In Proceedings for 9th Annual Conference in New Interfaces for Musical...
Dramaturgies of Sound: Interactive Sound Design in Live Performance 2008

... of Sound: Interactive Sound Design in Live Performance In Proceedings for the 1st International Workshop in Sonic Interaction...
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance 2007

... Responsive Audio Environments in Live Performance In Proceedings for the 2007 International Computer Music Conference...
Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance 2007

... Adaptive Sound Design for Live Theatrical Performance In Proceedings for the 7th Annual Conference in New Interfaces for...
The Cybernetic Stance: My Process and Purpose 1968

...Ascott, Roy. The Cybernetic Stance: My Process and Purpose Leonardo 1, no. 1 (1968): 105-112.
The Cybernetic Stance: My Process and Purpose 1968

...Ascott, Roy. The Cybernetic Stance: My Process and Purpose Leonardo 1, no. 1 (1968): 105-112.
Aesthetica IV: Programmierung des Schönen. Allgemeine Texttheorie und Textästhetik 1960

...Bense, Max. Aesthetica IV: Programmierung des Schönen. Allgemeine Texttheorie und Textästhetik. Baden - Baden, Krefeld: Agis - Verlag, 1960.

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