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Richard, Birgit. Biologie und Fake Life Construction - Kommunikationssplitter aus dem Netzsymposium zu LifeScience In Ars Electronica 1999: LifeScience, edited by Gerfried Stocker and Christine Schöpf, 30-46. Wien, New York: Springer Verlag,

Peraica, Ana, ed. Victims Symptom - PTSD and Culture. INC Readers, Amsterdam: Institute for Networked Culture, 2009.

Frauenhofer Institute for Media Communication, ed. The Composite State of Being - Notes on the Technoetic Implication of Mixed Reality. Sankt Augustin: 2001.

Bordini, Silvia. Storia del Panorama: La visione totale nella pittura del XIX secolo. Collana di architettura; 26, Roma: Officina Ed., 1984.

Bryson, Norman and Keith Moxey and Michael A. Holly. Visual Culture: Images and Interpretations. Middletown, CT, USA: Wesleyan University Press, 1994.

Gamblin, Noriko and Carole Ann Klonarides, ed. Sugar´n Spice. Santa Monica: Long Beach Museum of Arts, 1993.

Weibel, Peter. Das befreite Bild In Kunst, neue Technologien: Standortbestimmung. Schriftenreihe der Hochschule der Künste Berlin, edited by Karl Hofer Symposium 1984Vol.7. , 125-140. Berlin, DE: Colloquium Verlag, 1986.

Bredekamp, Horst. The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art, and Technology. Princeton, NJ: Markus Wiener Publishers, 1995.

Clausberg, Karl. Neuronale Kunstgeschichte. Vienna, New York: Springer, 1999.

Chabninski, Adam. Sztuka miedzy wysoka a niska technologia Chip Magazine (June 1995).