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La relation comme forme. L´interactivité en
Art
2004
... Paris 8, ed. La relation comme forme. L´interactivité en
Art
. Dijon, France: Les Presses du Réel, 2004.
Art
and the Computer
1985
...Prueitt, Melvin.
Art
and the Computer. Columbus, OH: McGraw-Hill Higher Education, 1985.
Eine Archäologie des Computerbildschirms
1996
Manovich, Lev. Eine Archäologie des Computerbildschirms Kunstforum 132 (1996): 124-135.
VERBARIUM and Life Spacies: Creating a Visual Language by Transcoding Text into Form on the Internet
1999
Sommerer, Christa and Laurent Mignonneau. VERBARIUM and Life Spacies: Creating a Visual Language by Transcoding Text into Form on the Internet In VL '99 Proceedings of the IEEE Symposium on Visual Languages, edited by IEEE Computer Society
Text as Genetic Code: Creating Visual Language on the Internet
1999
... Visual Language on the Internet In CADE’99 Computers in
Art
and Design Conference Proceedings, , Appendix. Teeside: University...
Visionen der Mediengesellschaft
2002
Weibel, Peter. Visionen der Mediengesellschaft In Konzert. Klangkunst. Computer. Wandel der musikalischen Wirklichkeit, edited by Darmstadt Institut für Neue Musik und Musikerziehung, 9-17. Mainz, DE: Schott Music, 2002.
Art
ful Science: Enlightenment Entertainment and the Eclipse of Visual Education
1994
...Stafford, Barbara M..
Art
ful Science: Enlightenment Entertainment and the Eclipse of Visual Education. Cambridge, MA: The MIT Press, 1994.
The Computer in the Visual
Art
s
1998
...Spalter, Anne Morgan. The Computer in the Visual
Art
s. Boston, MA: Addison-Wesely Longman Publishing Co., 1998.
Natural
Art
ifice
1991
...Davies, Char. Natural
Art
ifice In Virtual Seminar on the Bioapparatus, edited by Mary Anne MoserBanff, Canada: The Banff Centre for the
Art
s, ...
Private Views - the Role of the Viewer in Networked Digital Models of Narration
2000
... in Networked Digital Models of Narration In De la Pantalla al
Art
e Transgénico, edited by Jorge La Ferla, 186-192. Buenos Aires:...
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