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The Bush
Sou
l: Artist Statement
1999
...Allen, Rebecca. The Bush
Sou
l: Artist Statement In Ars Electronica 99: Life Science, edited by...
Le creusement du tunnel
sou
s l'Atlantique a commencé
1995
...Benayoun, Maurice. Le creusement du tunnel
sou
s l'Atlantique a commencé Le Monde (September 1995).
Digitally Expanded Forms of Narration
2002
... Collegea of Fine Arts, University of New
Sou
th Wales, Sydney and Cinemedia, Melbourne, ...
Emergence and The Bush
Sou
l
1998
...Allen, Rebecca. Emergence and The Bush
Sou
l In Computer Graphics: ACM SIGGRAPH, edited by Gordon...
The Desert of Passions and the Technological
Sou
l
1998
... Diana. The Desert of Passions and the Technological
Sou
l In Digital Creativity, edited by Colin...
Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und
Sou
nd
2005
... Zur Lenkung von Gefühlen durch Bild und
Sou
nd. Frankfurt/Main: Fischer Verlag, 2005.
Light, Colour,
Sou
nd (Luz, Color, Sonido)
2010
...LAb[au]. Light, Colour,
Sou
nd (Luz, Color, Sonido). Barcelona, ES: Parramon Ediciones S.A., 2010.
Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in
Sou
nd-and-Light Media Installations.
2012
... of Audiovisual Relations in
Sou
nd-and-Light Media Installations. In...
Embodied
Sou
nd, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance
2010
...Basanta, Adam. Embodied
Sou
nd, Enacted Music: Considerations for the Re-conceptualization of...
Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition
2010
... to Electroacoustic Composition Organised
Sou
nd 15, no. 2 (August 2010): 125-132.
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