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Sommerer, Christa and Laurent Mignonneau. Trans Plant II In 3D Beyond the Stereography: Images and Technology Gallery Exhibition Theme, edited by T. Moriyama, 76-77. Tokyo: Tokyo Metropolitan Museum Of Photography, 1996.

Dartel, van Michael. Truth in media art through sensory-motor coordination: Scenography 2: Space and Truth, Zurich University of the Arts In Scenography 2, edited by Thea Brejzek and Laurence WallenVol.2. Scenography HGKZ, , 22-34. Zurich: Zurich

Legrady, George. Modular Structure and Image/ Sequences: Comics and Interactive Media In Comics Culture: Analytical and Theoretical Approaches to Comics, edited by A. Magnussen and H.-C. Christianesen, 79-90. Copenhagen: Tusculanum Press, 2000.

Flür, Wolfgang. Kraftwerk: I Was a Robot. London: Sancturay Pub Limited, 2003.

Grant Marchand, Sandra. Char Davies: Osmose In Project Series, exhibition catalogue Musée d´art contemporain de Montréal, : 1995.

Roth, Martin, ed. Der Themenpark der EXPO 2000 die Entdeckung einer neuen Welt. Vol.2. Basic Needs/ Mensch/ Ernährung/ Zukunft/ Gesundheit, Wien, New York: Springer, 2000.

Sandin, Dan. EVL: Alive on the Grid In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer Verlag, 2001.

Lunenfeld, Peter. Digital Dialectics: A Hybrid Theory of Computer Media Afterimage 21 (November 1993): 5-7.

Shaw, Jeffrey. Le Musée Virtuel art press spécial: Nouvelles Technologies un Art sans Modele? 12 (1991): 175.

Goldberg, Ken and Ruzena Bajcsy. Active Touch and Robot Perception Cognition and Brain Theory 7, no. 2 (Winter 1984): 199-214.