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Penny, Simon. Death of the New (Venice Biennale 1984) Artlink (1984).

Lozano-Hemmer, Rafael. Re:Positioning Fear, Relational Architecture 3 In Internationale Biennale Film und Architektur, Graz, AUT: 1997.

Herkenhoff, Paulo Estellita. Paragens In XXI. Bienal Internacional de Sao Paulo. Exposicao Coletiva de Diana Domingues, edited by Jorge Eduardo Stockler, 207. : Fundacao Bienal de Sao Paulo, 1991.

Michelin, Simone. Teleanamnesis in the Caicara Millieu In 4th International CAiiA-STAR Research Conference: Consciousness Reframed 2002, non-local, non-linear, non-ordinary, edited by John Curtin Gallery and Curtin University of Technology and

Milroy, Sarah. Janet Cardiff : the former printmaker hit her stride with electronic art, winning acclaim this year at the National Gallery and the Venice Biennale The Globe and mail (December 29th 2001).

Grau, Oliver. Media Art needs Histories and Archives In The 5th Seoul International Media Art Biennale, edited by Seoul Museum of Art, 23-25 and 36-50. Seoul, Korea: Seoul Museum of Art, 2008.

Groys Boris and Degot Ekaterina and Riff David and Costinas Cosmin. Shockworkers of the Mobile Image - Catalog. Ekaterinburg: 1st Ural Industrial Biennial of Contemporary Art, 2010.

Kisseleva, Olga and Oliver Grau. Theory and Practice of Media Art: Aesthetic Parergons and Perspectives In First Post Industrial Contemporary Art Biennale, edited by NCCAEkaterinburg: NCCA, 2010.

Chris Salter. Reflections on the 8th International Biennale of Champ Libre Etc: Revue de L’Art Actuel (March 2009).

de Zegher, Catherine and Gerald McMaster, ed. 18th BIENNALE OF SYDNEY CATALOGUE. Sydney: 18th Biennale of Sydney, 2012.