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Differenza ed estetica digitale: il glitch 2016

Aprile Francesco. Differenza ed estetica digitale: il glitch. Vol.september 2016. Utsanga.it th ed.Italy: Utsanga.it, 2016.
Computer poems. Dall’archeologia al source code poetry 2016

Aprile Francesco. Computer poems. Dall’archeologia al source code poetry. Vol.september 2016. Utsanga.it th ed.Italy: Utsanga.it, 2016.
Pornéia 2016

Kac, Eduardo. Pornéia. Vinyl record with booklet insert, Milan: Alga Marghen, 2016.
Who and What are the Quarxs? 2016

... POST PIXEL.Animamix Biennale 2015-6 (2016).
Quarxs, 90s 2016

...Benayoun, M.. Quarxs, 90s Animamix Biennale 2015-6 (2016).
Biomediality and Art 2016

Hauser, Jens. Biomediality and Art In Recomposing Art and Science: Artists-in-Labs, edited by Irene Hediger and Jill Scott, 201-219. Berlin: De Gruyter, 2016.
Biopoetry 2016

Kac, Eduardo. Biopoetry. Berlin: AcquAvivA, 2016.
Mestizo Technology: Art, Design, and Technoscience in Latin America 2016

Badani, Pat and Paula Gaetano Adi and Gustavo Crembil and Tania Aedo and Diana Domingues and Eduardo Castillo and Pedro & Prado de O. Martins Vieira de Oliveira and José-Carlos Mariátegui and Heber Rodriguez and Luis Fernan Median Cardona, ed.
The Gaze from the Apocalypse 2016

... Kaohsiung Museum of Fine Arts , no. 67 (2016).
Art, Surveillance and Metadata 2016

Coupe, James. Art, Surveillance and Metadata In Worldmaking as Techné: Exploring Worlds of Participatory Art, Architecture, and Music, edited by M-D. HosaleRolling Meadows: 2016.

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