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Dinmla, Söke. Von der Medienkunst zur Wissenskunst. Zur Ausstellung „Wissenskünste aus der eCulture Factory“ [].

Dinkla, Söke. Von der Medienkunst zur Wissenskunst. Zur Ausstellung „Wissenskünste aus der eCulture Factory“ [].

Tavares, Monica. Os ambientes interativos como mediadores na construção de duplos digitais. Anais do 15 Econtro Internacional de Arte e Tecnología Brasilia, Brasil: Universidade de Brasilia , no. ISSN 2238-0272 (February 2016): 405-406.

Smite, Rasa and Raitis Smits, ed. Virtualities and Realities - New Experiences, Art and Ecologics in Immersive Environments. Vol.17. ISBN 978-9934-8434-7-1, Acoustic Space th ed.Riga: RIXC Center for New Media Culture, 2019.

Sommerer, Christa and Laurent Mignonneau. Interaktive Echtzeit – Computerinstallation auf der Light Emotions in Hannover In Licht International: Planung – Design – Technik – Handel, , 206-207. München, DE: Pflaum Verlag, 1996.

D´Agostino, Peter. CO-OR: 0/1: A Report on Analog and Digital Modalities as a Resource for Cultural Sustainability In The International Conference on Environmental, Cultural, Economic and Social Sustainability, : 2005.

Prophet, Jane. Sublime Ecologies and Artistic Endeavours: Artificial Life, Interactivity and the Internet Leonardo 29, no. 5 (1996): 339-344.

Stafford, Barbara M.. Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education. Cambridge, MA: The MIT Press, 1994.

Weibel, Peter. Die neuen Bilder. Peter Weibel und Hubert Burda im Gespräch In Hubert Burda. Kunst und Medien, edited by Judith Betzler, 188-191. München, DE: Econ Verlag, 2000.

Ascott, Roy. The Shamantic Web: art et technologie de la conscience In Pour une Ecologie des Media: Art, Cinéma, Vidéo, Ordinateur, edited by M. Klonaris and K. Thomadaki, 88-104. Paris: Astarti, 1998.