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Maharaj, Sarat. Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes In Documenta 11, Ostfildern-Ruit: Hatje Cantz, 2002.

Reaney, Mark. The Theatre of Virtual Reality Theatre Design and Technology XXIX, no. 2 (Spring 1992): 29-32.

Cameron, Angus. Les artistes 100 tetes: Multitext, Xenomoney, Xenospace .

Barral, Xavier and Ryoji Ikeda and Caroline Naphegyi, ed. V =/ L Book. Paris, FR: Editions Xavier Barral, 2008.

Terzopoullos, Demetri and Xiaoyuan Tu and Radek Grzeszcuk. Artificial Fishes: Autonomous Locomotion, Perception, Behaviour, and Learning in a Simulated Physical World. Artificial Life 1, no. 4 (Summer 1994): 327-351.

Michelin, Simone. Do Mito, Media and Movimento (On Myth, Media and Movement) In XXIV Congresso Brasileiro da Comunicacao - Campo Grande/MS - setembro 2001, edited by Intercom - Sociedade Brasileiro De Estudos Interdisciplinares Da ComunicacaoCampo

Grau, Oliver. Lembrem a phantasmagoria! Politica da ilusao do seculo XVIII e sua vida apos a morte multimedia In Arte, Ciencia e Tecnologia, edited by Diana Domingues, 239 - 260. Sao Paulo, Brazil: Editora UNESP, 2009.

Kluszczyński, Ryszard W.. The Material versus the Virtual: On Dialectics of Dalibor Martinis' Art In Martinis – Observatorium: Video/Audio/Interactive Installations [La Biennale di Venezia. XLVII Esposizione Internazionale d'Arte], edited by

Kluszczyński, Ryszard W.. Experience – Memory – Identity: Media Experiences as the Foundations of Hybridized Identity Art Inquiry XV, no. XXIV (2013): 31-46.

xtine burrough, ed. "Wtf" Net works. Case Studies in Web Art and Design. London: Routledge, 2011.