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Biggs, Simon. Multimedia, Multiculturalism, Language and the Avantgarde http://littlepig.org.uk/texts/epoetry.htm[12.04.2015.

Kusahara, Machiko. A Turning Point in Japanese Avant-garde Art: 1964 – 1970 In Place Studies in Art, Media, Science and Technology, edited by Andreas Broeckmann and Gunalan NadarajanVDG Weimar: 2008.

Maharaj, Sarat. Avidya: Non-Knowledge Production in the scene of Visual arts Practice In Education, Information, Entertainment - Current Approaches to Higher Artistic Education, edited by Ute Meta BauerVienna: Selene Verlag, 2001.

Ascott, Roy and L. M. Girao. Presence in the Mindfield: art, identity,and the technology of transformation. Aveiro, Portugal: Universidade deAveiro, 2011.

Cubitt, Sean. Avatar and Utopia Animation 7, no. 3 (2012): 1-11.

Giannetti, Claudia. La razón caprichosa en el siglo XXI - Los avatares de la sociedad posindustrial y mediática. Las Palmas de Gran Canaria, Spain: Cabildo Insular de Gran Canaria, 2006.

Casares, Nilo. El último mono desafía a Darwin In Hecho Artístico y Medios de Comunicación (III Seminario de la AVCA), edited by Asociación Valenciana de Críticos de Arte (AVCA)Vol.1. , 4. Valencia, Spain: Colección Formas Plásticas de la

Badani, Pat. A MAZE ABOUT MAIZE: A MESOAMERICAN DIVINITY AND ITS TRANSGENIC AVATARS [14.09.2011].

Parker, Kayla and Stuart Moore. On Location: landscape cinema and digital memory AVANCA | CINEMA 2017 (July 2017): 251-255.

Pearlman,Ellen. Nothing and Everything: The Influence of Buddhism On the American Avant Garde, 1942-1962.. Berkeley: North Atlantic Books, 2012.