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Benayoun, Maurice. World Skin, a photo safari in the Land of War sk-Interfaces (2008).

Bennayoun, Maurice. Emotion Vending Machine In Smile Machines, , 100-101. Berlin: Duguet, Anne-Marie, 2006.

Basanta, Adam. Shades of Synchresis: A Proposed Framework for the Classification
of Audiovisual Relations in Sound-and-Light Media Installations. In Electroacoustic Music Studies Conference 2012, edited by Electroacoustic Music Studies...

Basanta, Adam. Tracing Conceptual Structures in Listener Response Studies New York, USA: EMS 11, 2011.

Basanta, Adam. Embodied Sound, Enacted Music: Considerations for the Re-conceptualization
of Composition, Analysis and Performance In Ncounters, Graduate Music Students Association Conference, University of Alberta: 2010.

Basanta, Adam and Arne Eigenfeldt. Perceptual Analysis of Gesture Interaction Typologies in Acousmatic
Music In Seventh Electroacoustic Music Studies Network Conference, Shanghai: EMS 10, 2010.

Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach
to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.

Basanta, Adam. Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art inter/tidal ii: SFU Humanities Student Union Academic...

Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials
in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).

Salter, Chris. Entangled: Technology and the Transformation of Performance. Cambridge, MASS: The MIT Press, 2010.