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The Dynamic Darwinian Diorama: A Landlocked Archipelago Enhances Epistemology, Edited by Max Lungarella, Fumiya Iida, Josh Bongard and Rolf Pfeifer. PROCEEDINGS OF THE 50TH ANNIVERSARY SUMMIT OF ARTIFICIAL INTELLIGENCE. : Springer Verlag, 2007.

Grau,Oliver. Media Art needs Histories and Archives. New Perspectives for the Digital Humanities. In Arte e Technologia // Modus Operandi Universal, edited by Maria Beatriz de Medeiros and Suzete Venturelli and Cleomar Rocha, 152-173. :

Strauss Wolfgang and Monika Fleischmann. New Media Arts – the Thinking Space for Digitality In In Creating Digitally. Shifting Boundaries: Arts and Technologies - Contemporary Applications and Concepts, edited by Anthony BrooksVol.241. , pp. 1-32.

Guillaume, Laura and Joe Hughes. Deleuze and the Body. : Edinburgh University Press, 2011.

Riha, Daniel (ed.). Frontiers of Cyberspace. Vol.85. At the Interface, : Brill, 2012.

Thiel, Tamiko. Site Venice Site Biennale AR Lab (May 2014): 29-33.

Thiel, Tamiko. Site Venice Site Biennale AR Lab (May 2014): 29-33.

Alvaro, Sandra. The public sphere in the epoch of the algorithmic hyper-mediation: Fake News, disinformation, misinformation and the commodification of behavior 17 (Nov 2018).

Zingerle, Andreas and Kronman Linda. Behind the Smart World – Artistic Remixing of a Global Data Breach In THE CRITICAL MAKERS READER: COLLABORATIVE LEARNING WITH TECHNOLOGY, edited by Letizia Chiappini and Loes Bogers: Institute of Network

Kronman, Linda and Andreas Zingerle. “Let’s talk business” and “Megacorp” – Examples of artistic anti fraud activism In Engineering the future, edited by V&A Digital Design Weekend: V&A, 2016.