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Manovich Lev. " Emotion Machines and Database Imagination ", in « Communication-identification ». Paris, France: ,, 1999.

Marguerin Mathieu. « Une voyante m’a dit », Keur Thiosane – Artfactories,. Dakar, Senegal: 10th Biennial of Contemporary Art, 2012.

Wright Stephen. « Erehwon et son double », in "Where are you ?". Moscow, Russia: Moscow Contemporary Art Institute, 2001.

Yvergniaux, Daniele. "So far, so close …", in "The wrong city …". St Petersburg, Russia: State Russian Museum, 2002.

Lestocart Louis-José. "… Exister, être-auprès-de et comprendre… ". Paris, France: ,, 2001.

Lizalde, Néstor. Boca en la red. Spain: DOSSIER, 2009.

Casares, Nilo. Net.art público In Museología crítica y Arte contemporáneo, edited by Jesús-Pedro LorenteVol.1. , 10. Zaragoza, Spain: Prensas Universitarias de Zaragoza, 2003.

Casares, Nilo. infocidio 2.0 In II Congreso Internacional de Investigación en Artes Visuales ANIAV 2015, edited by Asociación Nacional de Investigadores en Artes Visuales (ANIAV)Vol.1. , 4. Valencia, Spain: ANIAV, 2015.

Bula, Frances. “Art Beyond Stereotypes: Are suburbs the next great creative frontier?" Literary Review of Canada (April 2014): http://reviewcanada.ca/magazine/2014/04/art-beyond-stereotypes/.

Travis, Rebecca. Sylvia Grace Borda: Camera Histories Photomonitor UK 2014 (January 2014): http://www.photomonitor.co.uk/2014/01/sylvia-grace-borda-camera-histories/.