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Aprile Francesco, Caggiula Cristiano. About Asemic Writing. Vol.september 2015. Utsanga.it th ed.Italy: Utsanga.it, 2015.

Bulatov, Dmitry, ed. Evolution haute Couture. Art and Science in the post-biological age. Vol.1. Kaliningrad: NCCA, 2009.

Ksenia Fedorova and Nina Sosna, ed. Media: Between Magic and Technology [in Russian]. Moscow, Ekaterinburg: Armchair Scientist, 2014.

Newsletter, ADA. The Archive of Digital Art Features Simon Biggs 21.04.2016.

Gsöllpointner, Katharina and Ruth Schnell and Romana K. Schuler. Digital Synesthesia: A Model for the Aesthetics of Digital Art. Berlin/Boston: Walter de Gruyter, 2016.

Zielinski, Siegfried and Daniel Irrgang, ed. Bodenlos,Vilém Flusser und die Künste. http://www.adk.de/en/programme/?we_objectID=49564&, Berlin: Akademie der Künste Berlin, 2015.

Hattinger, Gottfried, ed. Reihe Video Kunst. http://www.hattinger.org/seiten/rvk.html, 2004 th ed.Linz, Austria: Landesgalerie Linz, 2004.

Klotz, Heinrich and Wolfgang Lorenz and Christof Schmid, ed. Internationaler Videokunstpreis 1995. 1995 th ed.Karlsruhe, Germany: ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, 1995.

Farkas, Solange and Teté Martinho, ed. VIDEOBRASIL Três décadas de vídeo, arte, encontros e transformações. 2015 th ed.São Paulo, Brasil: dições Sesc São Paulo, 2015.

Jacob Lillemose. The Questions: Jodi http://www.kunstkritikk.no/nyheter/modified-software/ [Kunstkritikk, June 2015].