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Copiar é preciso. Inventar não é preciso.
2011
Beiguelman, Giselle. Copiar é preciso. Inventar não é preciso. seLecT 01, no. 01 (August/September 2011): 37-43.
Aleatoric Art in the 21st Century
2012
Miller, J. Coleman and Ray Cabarga, ed. Aleatoric Art in the 21st Century. Houston, TX, USA: Blurb, 2012.
Making Reality Really Real
2010
Ascott, Roy and E. Gangvik and M. Jahrmann. Making Reality Really Real. Trondheim: TEKS, 2010.
Même heure même endroit
2007
Secardin Olivier. Même heure même endroit. Paris, France: Archibooks, 2007.
« Histoire(s) d’une main »,for « Archivages »
2000
Lestocart Louis José. « Histoire(s) d’une main », for « Archivages ». Paris, France: ,, 2000.
Action online and in the gallery
2004
Moses, Laura. Action online and in the gallery OttawaXpress, Ottawa, Ontario (May 13, 2004 2004).
Lost, dizzy and disturbed
2001
Bain, Margaret. Lost, dizzy and disturbed The Ubyssey newspaper 83, no. 5 (September 18 -21, 2001 2001).
The Exploit: A Theory of Networks
2007
Galloway, Alexander. The Exploit: A Theory of Networks. Minnesota: University of Minnesota Press, 2007.
Approximations to the New Narrative of Jalisco
2000
Sanchez Cardona, LM. Approximations to the New Narrative of Jalisco. Guadalajara: Universidad de Guadalajara/Fonca, 2000.
Interconnect@ between attention and immersion
2006
Bousso, Vitória Daniela. Interconnect@ between attention and immersion catalog exhibition n/a, no. n/a (n/a 2006): 32.
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