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Stellrscope (Exhibition Catalogue)
2013
Gates-Stuart, Eleanor. Stellrscope (Exhibition Catalogue). ISBN 978-1-4863-0088-4, Canberra: CSIRO, Australia, 2013.
Understanding Insects: Why Explore Through Science And Art?
2014
Gates-Stuart E and Nyugen C:. Understanding Insects: Why Explore Through Science And Art?. Australian Science Communicators Conference, ASC 2014, Brisbane: Australian Science Communicators Conference, 2014.
Stellrscope
2014
Gates-Stuart, Eleanor. Stellrscope In C. Kennedy & M. Rosengren (Eds.), SPECTRA: images and data in art/science. Proceedings from the symposium SPECTRA 2012. Australian Network for Art and Technology, SA (2014).
Communicating Science: Explorations through Science and Art
2016
Gates-Stuart, Eleanor. Communicating Science: Explorations through Science and Art (MIT Press Journals, Early Access, part of Top-Rated LABS Abstracts 2015 (doi:10.1162/LEON_a_01301) Leonardo (2016) (2016).
Virtual 3D Models of Insects for Accelerated Quarantine Control
2013
Nyugen C; Lovell D: Oberprieler R: Jennings D: Adcock M; Gates-Stuart E; LaSalle J:. Virtual 3D Models of Insects for Accelerated Quarantine Control International Conference on Computer Vision, ICCV (2013).
Keynote: StellrScope: Explorations through Science and Art
2014
Gates-Stuart, Eleanor. Keynote: StellrScope: Explorations through Science and Art Wonder of Fantasy: 2014 International Techno Art Forum Proceedings, National Taiwan Museum of Fine Arts. Editors: Chih-Yung Aaron CHIU, Ald CHANG, Wen-Hao HUANG. ISBN:
Art and Science as Creative Catalysts
2015
... Transactions “
High
lights from the IEEE VIS...
The Soft Machine. Cybernetic fiction
1985
Porush, David. The Soft Machine. Cybernetic fiction. New York: Methuen, 1985.
The Soft Machine. Cybernetic fiction
1985
Porush, David. The Soft Machine. Cybernetic fiction. New York: Methuen, 1985.
Cosmographical Meditations on the In/Human: Beckett’s The Lost Ones and Lyotard’s ‘Scapeland
2000
Schwab, Gabriel. Cosmographical Meditations on the In/Human: Beckett’s The Lost Ones and Lyotard’s ‘Scapeland Parallax 6, no. 4 (2000): 58-75.
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