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Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought
1994
... French Thought. Berkeley, CA: University of California
Pre
ss, 1994.
Robo Sapiens: Evolution of a New Species
2000
...rles C., ed. Robo Sapiens: Evolution of a New Species. Cambridge, MA: MIT
Pre
ss, 2000.
Digital Image - Digital Cinema: The Work of Art in the Age of Post Mechanical Reproduction
1990
... Leonardo. Supplemental Issue, , 33-38. Cambridge, MA: MIT
Pre
ss, 1990.
Telematic Embrace: Visionary Theories of Art , Technology, and Consciousness by Roy Ascott
2003
... by Roy Ascott. Berkeley, CA: University of California
Pre
ss, 2003.
Visual Analogy. Consciousness as the Art of Connecting
1999
... Consciousness as the Art of Connecting. Cambridge, MA: The MIT
Pre
ss, 1999.
Re-Newing Old Technologies: Astonishment, Second Nature, and the Uncanny in Technology from the
Pre
vious Turn-of-the-Century
2003
... Second Nature, and the Uncanny in Technology from the
Pre
vious Turn-of-the-Century In Rethinking Media Change The Aesthetics...
Information Arts: Intersections of Art, Science, and Technology
2003
... of Art, Science, and Technology. Cambridge, MA: The MIT
Pre
ss, 2003.
Likeness and
Pre
sence: A History of the Image Before the Era of Art
1994
...Belting, Hans. Likeness and
Pre
sence: A History of the Image Before the Era of Art. Chicago: University of Chicago
Pre
ss, 1994.
Remediation: Understanding New Media
2000
... Remediation: Understanding New Media. Cambridge, MASS: MIT
Pre
ss, 2000.
Visualizations: The Nature Book of Art and Science
2000
... and Science. Berkeley, Los Angeles: University of California
Pre
ss, 2000.
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