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Hales, Chris. New Paradigms = New Movies, Interactive Film and New Narrative Interfaces In New Screen Media: Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappKarlsruhe: ZKM and BFI London, 2002.

Hamlett, Sian; Prophet, Jane. Sordid Sites: Voyeurism and Exhibitionism in the Internal Organs of a Cyborg FELIX Magasine: Voyeurism Issue (2000).

Matussek, Peter. Gedächtnistheater im Dialog von Mediävistik und Medienwissenschaft In Akten des X. Internationalen Germanistenkongresses Wien 2000, edited by Peter WiesingerVol.5. Mediävistik und Kulturwissenschaften - Mediävistik und Neue

Hershman, Lynn. Room of One´s Own - Slightly Behind The Scenes In Iterations: the New Image, edited by Timothy Druckery, 150-156. Cambridge, London: MIT Press, 1994.

Hershman, Lynn. Touch-Sensitivity and other Forms of Subversion: Interactive Artwork In Women, Art, and Technology, edited by Judy Malloy, 192-205. Cambridge, MA: MIT Press, 2003.

Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing ICC InterCommunication Journal , no. 6 (October 1993).

Schweizer, Gaby. Leuchtende Kreatur -- Eduardo Kac Der Professor aus Brasilien provoziert mit einem fluoreszierenden Hasen. Er hält den Gentechnikern den Spiegel vor Facts 26 (June 28th 2001): 108-109.

Smith, Steven and Mario O. Bourgoin and Karl Sims and Voorhees, Harry. Handwritten Character Classification Using Nearest Neighbor in Large Databases IEEE Transactions on Pattern Analysis and Machine Intelligence 16, no. 9 (September 1994):

Schroeder, Michael and Daniela A. Plewe and Andreas Raab. Ultima Ratio - A Visual Language for Argumentation In Proceedings of International Conference on Information Visualisation, London, UK, edited by IEEE Computer SocietyVol.IV. , 510-515.

Grau, Oliver. Virtual Art: From Illusion to Immersion. Cambridge, MA: MIT Press, 2003.