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Ellen Pearlman. The brain as a site specific performative space https://tandfonline.com/doi/full/10.1080/14794713.2015.1084810.

Puncer, Mojca. Sodobna umetnost in estetika/Contemporary Art and Aesthetics Ljubljana: Publicistično društvo ZAK, Maribor: Pedagogic Faculty (2010).

Lichty, Patrick. Variant Analyses, Interrogations of New Media Art and Culture. Theory on Demand, 1 th ed.Amsterdam: Institute of Networked Cultures, 2015.

Hinterleitner, Karin. Eternal Summer: George Legrady im Gespräch http://www.medienkultur-stuttgart.de/thema02/2archiv/news5/mks_5_legrady.htm.

DOMINGUES, DIANA MARIA G. Prefácio: Criatividade e arte no uso do smartphone In Arte_comunicação_móvel: criatividade e arte no uso do smartphone, edited by Tiago Franklin Rodrigues Lucena, 13-19. Curitiba: Appris, 2017.

Fleischmann, Monika and Christian-A. Bohn and Wolfgang Strauss. Liquid Views In Press/Enter, Toronto, CAN: 1995.

Fetter, William A.. Computer Graphics In Architecture and the Computer: First Boston Architectural Center conference, December 5, 1964, Boston, Massachusetts, , 34 - 36. Boston, Massachusetts: 1964.

Bismarck, Julius von and Julian Charrière and Eric Ellingsen. Some Pigeons Are More Equal Than Others. Zürich: Lars Müller, 2015.

DOMINGUES, DIANA MARIA G. Conexão Comunicação e Cultura In Revista de Comunicação da Universidade de Caxias do Sul, edited by EDUCSVol.3. 6, , 235. Caxias do Sul: 2005.

Kluszczyński, Ryszard W.. The Material versus the Virtual: On Dialectics of Dalibor Martinis' Art In Martinis – Observatorium: Video/Audio/Interactive Installations [La Biennale di Venezia. XLVII Esposizione Internazionale d'Arte], edited by