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Me as MacGhillie 2010

Meyer, Eva. Me as MacGhillie In Opaque Presence. Manual of Latent Invisibilities, edited by Andreas Broeckmann and Knowbotic ResearchBerlin, Zürich: Diaphenes Verlag, 2010.
The Naked Bandit in the Theatre of Visibilities. Control, Attention and Performance in Recent Projects by Knowbotic Research 2010

Broeckmann, Andreas. The Naked Bandit in the Theatre of Visibilities. Control, Attention and Performance in Recent Projects by Knowbotic Research Knowbotic Research (online) (2010).
Brain Wave 2009

Ann Landi. Brain Wave ARTnews (June 2009): 92-93.
Borders, surveillance, and Control in the Digital Age 2010

Burns, David R.. Borders, surveillance, and Control in the Digital Age In Soft Borders International Network Conference and Festival on New Media Art, Sao Paolo, Brazil: 2010.
Movies after Film - The Digitally Expanded Cinema 2002

Martin Rieser and Andrea Zapp, ed. Movies after Film - The Digitally Expanded Cinema. London: British Film Institute, 2002.
Machine Times 2000

Brouwer, Joke. Machine Times. Rotterdam: NAI Publishers, 2000.
The Construction of Change 1964

Ascott, Roy. The Construction of Change Cambridge Opinion, Modern Art in Britain January (1964): 37 - 42.
Otto Beckmanns Kunstcomputer und die Anfänge der Computerkunst 2006

Beckmann, Otto and Barbara Nierhoff, ed. Otto Beckmanns Kunstcomputer und die Anfänge der Computerkunst. Bremen: Kunsthalle Bremen, 2006.
Technology and Art 15: Computer Graphics at Brunel 1970

Benthall, Jonathan. Technology and Art 15: Computer Graphics at Brunel Studio International 197, no. 923 (1970): 247-248.
The Brain as a Computer 1962

George, Frank Honywill. The Brain as a Computer. Oxford-London-Paris-Frankfurt: Pergamon Press, 1962.

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