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The Naked Bandit in the Theatre of Visibilities. Control, Attention and Performance in Recent Projects by Knowbotic Research
2010
Broeckmann, Andreas. The Naked Bandit in the Theatre of Visibilities. Control, Attention and Performance in Recent Projects by Knowbotic Research Knowbotic Research (online) (2010).
Brain Wave
2009
Ann Landi. Brain Wave ARTnews (June 2009): 92-93.
Borders, surveillance, and Control in the Digital Age
2010
Burns, David R.. Borders, surveillance, and Control in the Digital Age In Soft Borders International Network Conference and Festival on New Media Art, Sao Paolo, Brazil: 2010.
Movies after Film - The Digitally Expanded Cinema
2002
Martin Rieser and Andrea Zapp, ed. Movies after Film - The Digitally Expanded Cinema. London: British Film Institute, 2002.
Machine Times
2000
Brouwer, Joke. Machine Times. Rotterdam: NAI Publishers, 2000.
The Construction of Change
1964
Ascott, Roy. The Construction of Change Cambridge Opinion, Modern Art in Britain January (1964): 37 - 42.
Otto Beckmanns Kunstcomputer und die Anfänge der Computerkunst
2006
Beckmann, Otto and Barbara Nierhoff, ed. Otto Beckmanns Kunstcomputer und die Anfänge der Computerkunst. Bremen: Kunsthalle Bremen, 2006.
Technology and Art 15: Computer Graphics at Brunel
1970
Benthall, Jonathan. Technology and Art 15: Computer Graphics at Brunel Studio International 197, no. 923 (1970): 247-248.
The Brain as a Computer
1962
George, Frank Honywill. The Brain as a Computer. Oxford-London-Paris-Frankfurt: Pergamon Press, 1962.
Routes towards British Computer Arts: The Role of Cultural Institutions, Bulletin of the Computer Arts Society
2004
Mason, Catherine. Routes towards British Computer Arts: The Role of Cultural Institutions, Bulletin of the Computer Arts Society Page 57 (Summer 2004).
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